Within our latest video tutorial, we explore ways you can get the very best overall picture quality from DJI drones using Camera Raw.
Ever wondered the way the drone images on DJI’s website look so amazing? (And That I’m talking about the sharpness and image clearness, not the topic.) In the Mavic series towards the Phantom and completely to the Inspire &mdash how can they always obtain the drone images so crisp?
Well, fortunately for that average pilot, it’s much simpler which you may think.
Within this tutorial, we’ll learn some on-location flying tips and Camera Raw publish-processing techniques that are certain to improve results. (Also, I’ve incorporated the raw DNG image I made use of with this tutorial within the project file. So download that if you wish to follow along!)
Ready? Let’s get began!
So, at its core, this tutorial is on how to process drone images in Adobe Camera Raw. However, there’s a couple of steps you can take whenever you’re on location that can lead to better picture quality.
1. Keep your Drone Idle When Taking Photos
This might appear apparent enough, however when you’re flying within the moment (as well as on limited battery existence), you might have the inclination to consider photos as the drone is moving beyond the subject. Regrettably, this can lead to undesirable motion blur in your images. Frequently, you won’t notice this before you preview the pictures on the desktop at 100 % quality.
2. Fly in Gps navigation Mode
Most drone pilots recommend flying in Attitude mode, also referred to as ATTI mode, when filming aerial videos. It is because the Gps navigation can disrupt the graceful movement from the drone. The alternative holds true if you’re taking aerial photos since you want the Gps navigation to help keep the drone in the same position although it’s idle. (Otherwise, whenever you let from the control sticks, you might not observe that the drone continues to be drifting, resulting moving blur.)
3. Make use of a High Shutter Speed
Utilizing a high shutter speed may also drastically reduce the risk of undesirable motion blur in your aerial images. Whether or not the drone is idle, winds which may be unnoticeable in the ground can continue to sway the drone back and 4th up in mid-air.
4. Bring Your Images in Manual Mode
I’ve didn’t have much luck with any auto camera modes on drones. This is due to the stark contrast between your terrain and also the sky. Frequently, either winds up incorrectly uncovered. It’s far better to locate a nice balance by hand. (Make use of the histogram within the DJI settings that will help you with this particular.)
Raw versus. JPEG
Previously, generally, I’d just use the jpeg images from my DJI drones. The colour temp and movie profile around the jpegs looked precisely how I needed it to, and also the quality was much smaller sized compared to raw DNGs. However, I later discovered when evaluating two versions of the identical image simply how much detail will get lost within the jpeg form of the drone image.
There’s some debate why exactly this occurs because, theoretically, the look detail need to look exactly the same, but you will find obvious variations. The muddying of proper details within the jpeg versions from the images is probably a direct result image compression and DJI applying a denoise filter towards the image when saving.
Using Camera Raw
Finally, not just would be the raw DNG images from DJI drones sharper, however, you’ll also provide a lot more settings options that will help you refine your pictures. While using settings subtly is the specific game. Settings options like Clearness and Dehaze are perfect for aerial images. You’ll in addition have a host of lens profile options built directly into Camera Raw for DJI drones. Begin using these to get rid of undesirable chromatic aberrations or optic distortions.
Thinking about the tracks we accustomed to get this to video?
“Leaders Unite” by Vincent Tone
“Ultra Boost” by Cymatix
“Summer Leaves” by Mattijs Muller
Searching for additional film and video production tutorials? Check these out.
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